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→Funny New Moon Trailer from Take180.com
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''We did a little trick when Edward gets out of Bella's truck and they're arguing. We wanted to show Edward moving impossibly quickly, so we put Rob right next to the camera but out of sight, and used a double dressed like Rob in the driver's seat. When Edward gets out, it's the double, and then Rob steps in front of the camera, and it looks as if he got there faster than humanly possible.'' Click here to view the rest
Well, at this point, the trend is pretty hard to miss - The Twilight Saga: New Moon has undeniably become a pop culture figurehead feature of the year 2009.
Apparently, in the viral video viewings department, New Moon sits in the lead of viral sensations of 2009 - mostly joined on the top ten list by popular musicians for their music videos.
Flanked by mega-hits like Beyonce's "Single Ladies," Lady Gaga's "Poker Face," and even Suan Boyle's Britain's Got Talent audition video, the New Moon trailer took its rightful place as the most viewed viral video of 2009 with 592,049,402 views, according to Music Week.
Others videos on the top ten list for the year are Michael Jackson's "Beat It," Mariah Carey's "Touch My Body," Lady Gaga's "Just Dance," Miley Cyrus' "The Climb," and Soulja Boy's "Crank Dat."
The very first New Moon teaser, issued back in early summer during the MTV Video Music Awards, was notoriously one that hit up the viral circuit with millions of views coming in by the day.
Over half a billion, though? That sounds an awful lot like the intake that the film has enjoyed on the worldwide market . . .

As you probably know, the charges against 22-year-old Samanth Tumpach have been dropped for illegally videotaping “New Moon” at the Muvico Theater in the Chicago suburb of Rosemont.
She was charged with a felony, and could have faced up to three years behind bars.
Tumpach admitted that two snippets of film were caught on her camera, but said she wasn’t intentionally recording “New Moon.” Instead, she was filming her sister’s birthday.
Even director Chris Weitz was in her corner. He told the Chicago Sun-Times, “There is, needless to say, a difference between trying to protect copyright of a film and making an unfair example of someone who clearly seems not to have any intentions towards video piracy.”
Well now Summit has weighed in, too, and released the following statement:
“In regards to the situation with Samantha Tumpach, we applaud Muvico for upholding the zero tolerance policy on piracy when the incident occurred at their theater in Rosemont, IL. The pirating of films is a very serious issue and we all need to remain vigilant to protect the art of film and the myriad of businesses that the film industry supports. We believe that the attention that this incident has drawn, has served as a reminder to us all that any form of film piracy, or perceived piracy, will be treated with the utmost seriousness. Summit is pleased that all charges against Ms. Tumpach have been dropped and appreciate the efforts of the police and the prosecutors in this outcome.”

It’s a rare box-office treat when a film that has been in release for two weeks is destined to hit the number one spot at the box office. But The Blind Side has been a surprise since it debuted opposite New Moon two weeks ago to a solid $34 million and then did the unthinkable, which is gain 18% of its audience its second frame. Now the Sandra Bullock-starrer has earned a robust $105 million and is destined for a number one slot this weekend. It helps that the weekend following Thanksgiving is traditionally a slow one in theaters. Hollywood usually turns it over to the malls and its shoppers. But that bodes well for the holdovers. New Moon is likely to tumble again significantly its third weekend in theaters, but with $236 million already in the bank, another steep drop is to be expected. There are four new releases vying for placement at the box office derby but the only one with a real chance for the Top 5 is Screen Gems’ PG-13 rated heist flick Armored. Neither the Robert De Niro-starrer Everybody’s Fine nor the Tobey Maguire-Natalie Portman-Jake Gyllenhaal three-hander Brothers is likely to crack the top five. It’s interesting that both of the Oscar bait pictures Fine and Brothers are being released wide this frame. Conventional wisdom would suggest they’d open small and expand. Read on for my predictions.
1. The Blind Side: $24 million
The Blind Side is likely to hold in well this weekend and a 40% drop would put its total domestic gross at $130 million, quite a feat for a movie that cost $30 million. This feel-good tale from director John Lee Hancock (The Alamo) is resonating particularly well with audiences in smaller markets. The combination of football and charity seem to be just what they ordered this holiday season.
2. The Twilight Saga: New Moon: $17 million
New Moon is destined to cross the $250 million mark this weekend, trouncing Twilight’s total domestic gross with room to earn more. That’s another remarkable story for a film that sparks such deep emotion both for and against. It’s no wonder Summit is pondering two films with Stephenie Meyer’s final book Breaking Dawn. With this kind of cash, why would they ever stop?

You said everyone's been asking you about the pressures of taking on such a successful franchise, and they also want to know why vampires are so popular.
Honestly, there weren't really any pressures for me because there was a guaranteed audience which meant that even if I made a terrible movie people would still watch it. So once you got that reassurance [laughs], you just set out to make the best movie possible, which is what we aimed to do. And I've felt nothing but support from the fans since day one — actually day one there was a little doubt because I have a Y chromosome, but ever since then I've felt a lot of love from the fans.
And why vampires?
I've actually realized that Stephenie Meyer's vampires aren't really vampires — you really don't see many crosses, there's not much garlic, they don't sleep in coffins, they can go out in the day time — they just look more beautiful. It's just more like Greek gods. So, in some ways it's about this girl who falls in love with this demi-god. I think that symbolizes your first love — the person you've fallen for who you think will never never possibly return your affections.
How much did you research vampires before starting the movie?
Absolutely zero. My research is reading Stephenie's books and talking to Stephenie and seeing the first film and knowing about the actors — getting familiar with the work that they'd done, but not much vampire-ology.
I read that you had this idea about the movie looking like a Victorian narrative painting in terms of the colors — how did you come to approach this film from that angle?
In terms of a model for cinematography I think it's a good one, which is to say the Victorian paintings, especially the pre-Raphaelites, told stories in a somewhat sentimentalized and very beautiful fashion. These books are not afraid to be sentimental or romantic and I wanted every aspect of the production to be unafraid to go to a very romantic place.
Whereas the first movie had a lot of tortured rock & roll kind of love to it, I wanted this one to be a sweeping epic. In many ways it's a much bigger film — in terms of the ground it covers, the emotions and the places it goes to — so I really wanted to make a classic-looking movie that was classically composed and classically shot. It had a classical score in a sense and [composer] Alexandre Desplat is very much from a school of composers who can work very much in a classical vein and in a contemporary vein. There is a sort of groovy component to it, which is the soundtrack, which we were able to get all of these amazing bands to compose for us, which is incredibly gratifying. Read more
Source: Variety Power of Youth
Offhand, it would be hard to think of a pop phenomenon as rapturously beloved as the Twilight saga that is also as vociferously hated. My God, the hate! If swoony-gauzy teen-bloodsucker romanticism with a golden-eyed indie-rock James Dean as love object isn’t your cup of passion, then fine — so be it. But why the frothing torrents of resentment? I was seriously shocked, for instance, reading some of the comments on Lisa’s recent post, to see that this much stone-pelting hostility could be directed at an actress as lovely and expressive as Kristen Stewart. What is her crime? Having a personality moody and brainy and distinctive enough that it carries over, maybe a bit too much, from one role to the next? (That was true, as well, of the young Jane Fonda, whom Stewart often recalls.) It makes me wonder what, deep down, is getting the haters so flea-bitten scratchy under the collar.
Frankly, I think it’s this: The ascendance of the Twilight saga represents an essential paradigm shift in youth-gender control of the pop marketplace. For the better part of two decades, teenage boys, and overgrown teenage boys, have essentially held sway over Hollywood, dictating, to a gargantuan degree, the varieties of movies that get made. Explosive truck-smashing action and grisly machete-wielding horror, inflated superhero fantasy and knockabout road-trip comedy: It has been, at heart, a boys’ pig-out, a playpen of testosterone at the megaplex. Sure, we have “chick flicks,” but that (demeaning) term implies that they’re an exception, a side course in the great popcorn smorgasboard. Read More
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LOS ANGELES, Nov 29 (Reuters) - "The Twilight Saga: New Moon" rose to the top of movie box office charts for the second straight week on Sunday with a three-day haul of $42.5 million on a record-breaking holiday weekend in North America, according to studio estimates.
Over the five-day U.S. Thanksgiving holiday, the vampire romance starring Kristen Stewart, Robert Pattinson and Taylor Lautner took in $66 million, pushing its two-week total in theaters to $230.7 million in North America, said independent studio Summit Entertainment, which backed the movie.
Internationally, the high-profile sequel to last year's monster hit "Twilight," based on the best-selling novels by Stephenie Meyer, has taken in $243 million for a worldwide total just under $475 million in two weeks.
Richard Fay, president of domestic distribution for Summit, said the movie continued to do strong repeat business from mostly teenage girls who are fans of the movies and books, and it was able to expand its audiences to include older women.
Total movie ticket sales for the five-day holiday period in North America reached a record $278 million, beating the old figure of $244 million set back in 2000 when "How the Grinch Stole Christmas" and "Unbreakable" were the two top films, according to sales tracker Hollywood.com Box-Office.